Our Lesya: myths, facts and works

two months In a letter to Olga’s sister in 1911, Lesya Ukrainka said: “I wrote it for a very short time, 10-12 days, and I couldn’t stop writing because I was already in such an invincible mood; but after it I was sick and for quite a long time I came to memory”…”. month In a letter to Olga’s sister in 1911, Lesya Ukrainka said: “I wrote it for a very short time, 10-12 days, and I couldn’t stop writing because I was already in such an invincible mood; but after it I was sick and for quite a long time I came to memory”…”. three weeks In a letter to Olga’s sister in 1911, Lesya Ukrainka said: “I wrote it for a very short time, 10-12 days, and I couldn’t stop writing because I was already in such an invincible mood; but after it I was sick and for quite a long time I came to memory”…”. two weeks In a letter to Olga’s sister in 1911, Lesya Ukrainka said: “I wrote it for a very short time, 10-12 days, and I couldn’t stop writing because I was already in such an invincible mood; but after it I was sick and for quite a long time I came to memory”…”.

14 The complete collection of Lesya Ukrainka’s works consists of 14 volumes. Dramatic works, poetry, artistic prose, literary-critical and journalistic articles, translations and letters are presented there. 13 The complete collection of Lesya Ukrainka’s works consists of 14 volumes. Dramatic works, poetry, artistic prose, literary-critical and journalistic articles, translations and letters are presented there. 12 The complete collection of Lesya Ukrainka’s works consists of 14 volumes. Dramatic works, poetry, artistic prose, literary-critical and journalistic articles, translations and letters are presented there. 11 The complete collection of Lesya Ukrainka’s works consists of 14 volumes. Dramatic works, poetry, artistic prose, literary-critical and journalistic articles, translations and letters are presented there.

Natalya Kobrynska Olga Kobylyanska was not published in “Persha Vink”. She was a close friend of Lesya Ukrainka, with whom they often corresponded. The literary critic Solomiya Pavlychko notes in her work “The Discourse of Modernism in Ukrainian Literature”: “For the early modernist culture, the bisexuality of female writers and, accordingly, the depiction of female love were not something exceptional. The love of Olga Kobylyanska and Lesya Ukrainka, evidenced by their correspondence, were organic parts of the culture of their time. They enriched this culture in both an aesthetic and a political sense. Linguistically eccentric letters of Lesya Ukrainka and artistically perfected stories of Olga Kobylyanska testify to the process of radical rethinking of one’s own “self” as a sign of protest against patriarchal culture.” Chaika Dniester Olga Kobylyanska was not published in “Persha Vink”. She was a close friend of Lesya Ukrainka, with whom they often corresponded. The literary critic Solomiya Pavlychko notes in her work “The Discourse of Modernism in Ukrainian Literature”: “For the early modernist culture, the bisexuality of female writers and, accordingly, the depiction of female love were not something exceptional. The love of Olga Kobylyanska and Lesya Ukrainka, evidenced by their correspondence, were organic parts of the culture of their time. They enriched this culture in both an aesthetic and a political sense. Linguistically eccentric letters of Lesya Ukrainka and artistically perfected stories of Olga Kobylyanska testify to the process of radical rethinking of one’s own “self” as a sign of protest against patriarchal culture.” Olga Kobylyanska Olga Kobylyanska was not published in “Persha Vink”. She was a close friend of Lesya Ukrainka, with whom they often corresponded. The literary critic Solomiya Pavlychko notes in her work “The Discourse of Modernism in Ukrainian Literature”: “For the early modernist culture, the bisexuality of female writers and, accordingly, the depiction of female love were not something exceptional. The love of Olga Kobylyanska and Lesya Ukrainka, evidenced by their correspondence, were organic parts of the culture of their time. They enriched this culture in both an aesthetic and a political sense. Linguistically eccentric letters of Lesya Ukrainka and artistically perfected stories of Olga Kobylyanska testify to the process of radical rethinking of one’s own “self” as a sign of protest against patriarchal culture.” Ulyana Kravchenko Olga Kobylyanska was not published in “Persha Vink”. She was a close friend of Lesya Ukrainka, with whom they often corresponded. The literary critic Solomiya Pavlychko notes in her work “The Discourse of Modernism in Ukrainian Literature”: “For the early modernist culture, the bisexuality of female writers and, accordingly, the depiction of female love were not something exceptional. The love of Olga Kobylyanska and Lesya Ukrainka, evidenced by their correspondence, were organic parts of the culture of their time. They enriched this culture in both an aesthetic and a political sense. Linguistically eccentric letters of Lesya Ukrainka and artistically perfected stories of Olga Kobylyanska testify to the process of radical rethinking of one’s own “self” as a sign of protest against patriarchal culture.”

“Fireplace owner” Lesya Ukrainka wrote the work “Possessed” at the bedside of terminally ill Serhii Merzhynskyi. Later, she wrote about this in a letter to Ivan Franko: “…I wrote it on such a night, after which I will probably live for a long time, when I was already alive then. And I even wrote without digesting the longing, but in its very apogee. If If anyone asked me how I got out of all that alive, I could also answer: J’en ai fait un drame.” “Obsessed” Lesya Ukrainka wrote the work “Possessed” at the bedside of terminally ill Serhii Merzhynskyi. Later, she wrote about this in a letter to Ivan Franko: “…I wrote it on such a night, after which I will probably live for a long time, when I was already alive then. And I even wrote without digesting the longing, but in its very apogee. If If anyone asked me how I got out of all that alive, I could also answer: J’en ai fait un drame.” “Rufin and Priscilla” Lesya Ukrainka wrote the work “Possessed” at the bedside of terminally ill Serhii Merzhynskyi. Later, she wrote about this in a letter to Ivan Franko: “…I wrote it on such a night, after which I will probably live for a long time, when I was already alive then. And I even wrote without digesting the longing, but in its very apogee. If If anyone asked me how I got out of all that alive, I could also answer: J’en ai fait un drame.” “Autumn Fairy Tale” Lesya Ukrainka wrote the work “Possessed” at the bedside of terminally ill Serhii Merzhynskyi. Later, she wrote about this in a letter to Ivan Franko: “…I wrote it on such a night, after which I will probably live for a long time, when I was already alive then. And I even wrote without digesting the longing, but in its very apogee. If If anyone asked me how I got out of all that alive, I could also answer: J’en ai fait un drame.”

The story of the seducer Don Juan, written from a female perspective “I have already started to write a new story – I am writing, however, little by little, in the intervals between rising t° (that is, in the mornings),” said Lesya Ukrainka in a letter to her mother, two months before her death. This story is “Eqbal-ganem”, the story of a woman from Cairo. The story of a prophetess for whom knowledge of the future is a curse “I have already started to write a new story – I am writing, however, little by little, in the intervals between rising t° (that is, in the mornings),” said Lesya Ukrainka in a letter to her mother, two months before her death. This story is “Eqbal-ganem”, the story of a woman from Cairo. The story of the difficult fate of Jesus, watched by Miriam, a woman in love with him “I have already started to write a new story – I am writing, however, little by little, in the intervals between rising t° (that is, in the mornings),” said Lesya Ukrainka in a letter to her mother, two months before her death. This story is “Eqbal-ganem”, the story of a woman from Cairo. A story about the experiences of Eqbal, an Arab woman who feels that she is slowly aging “I have already started to write a new story – I am writing, however, little by little, in the intervals between rising t° (that is, in the mornings),” said Lesya Ukrainka in a letter to her mother, two months before her death. This story is “Eqbal-ganem”, the story of a woman from Cairo.