Oscar nominees put together the “puzzle of war”: the film “Life on the Edge” was released

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From March 16, the documentary “Life on the Edge” – a story about the Ukrainian war that began in 2014 on the Maidan – will be released. It was filmed by Ukrainian veterans Pavlo Peleshok and Yurko Ivanyshyn. They were the producers of the first film about Ukraine that was nominated for an Oscar – “Winter on fire”. We attended the premiere screening of “Life on the Edge” and tell you why you should not miss this film at the box office. March 14. Day of the Ukrainian volunteer. After the fourth air raid warning in Kyiv this day, the first viewers of the film by Pavlo Peleshko and Yuriy Ivanyshyn are gathering in a cinema in one of the shopping centers in the center of the capital. This is not a bright premiere of a long-awaited cartoon, not a Hollywood blockbuster, generously seasoned with popcorn, so today there is no fuss, celebrities do not walk here in their new outfits and do not give out comments to the cameras. “I will not tell anything about the story [цього фільму]”, Yuriy Ivanyshyn says before the screening. It is obvious that most Ukrainians remember it well. Read UP.Kultura in Telegram. Among the guests of the premiere screening of the documentary, there are many military men and chaplains who came to support the film of their brothers. We see it in the form of a director and an actor Akhtem Seitablayev, his film and army colleagues are photographed with him. Akhtem Seitablayev and Yurko Ivanyshyn. Photo: Nastya Telikova. A representative of the Joint Forces Command of the Ukrainian Armed Forces Oleksandr Mykhaylov also came and brought the authors thanks from the Commander of the Joint Forces of the Ukrainian Armed Forces Lieutenant General Serhiy Naev: “I want to congratulate the guys, we have a very old friendship with them”. Ivanyshyn, who this evening presents the film without his co-author and with the help of his closest friend Pavel Peleshko, says that work on the film lasted three years. Work began in 2020, when retired from the army, and it was, admittedly, very difficult. “This format that we chose, we were tearing our hair out, because it didn’t stick together, it didn’t go as it should, as we they saw it. Eternal re-editing, eternal rethinking,” says the producer. Kostya Vozniuk, assistant director of editing, post-production manager, is sitting right in front of me at the screening. When the lights go out, the neighbor on the left jokingly asks him if this will be his 300th viewing. Oleksandr Mykhaylov brought the authors thanks from Lieutenant General Serhii Naev. Photo: Nastya Telikova The first frames appear on the screen: Yuriy, Pavlo and his beloved in the USA, where they were released from the front, because their film “Winter on Fire” was nominated for an Oscar. From Los- Angeles and red carpets in 2016, we are transported to the Maidan of 2013, where Ukraine’s war for independence actually begins. Here, the authors of the film, who then created the ukrstream project to broadcast the Revolution in real time, show how it is in a car are attacked by the “Berkut” and how one of them on the Maidan confesses directly to the camera: “Moscow is behind us”. Then the footage from the Maidan is replaced by personal videos of Peleshko and Ivanyshyn from Monaco, then the captured Crimea by Russia by military personnel without any identification marks, rest in Alicante – the delight of the administrations in Luhansk and Donetsk. The narrative jumps in time and between events, capturing evidence of key events in our war with the Russian aggressor and conveying the confusion of a Ukrainian who suddenly finds himself out of this struggle for a short time. For example, on the red carpet of Cannes. “For me, time has ceased to be a consistent quantity,” Peleshko’s voiceover explains from the screen. This relates to his own perception on the front lines, and is successfully conveyed to us through editing. Pavlo Peleshok at the front. A frame from the film “Life on the Edge” As the authors of the film themselves say, they wanted to assemble a mosaic of the causes and consequences of today’s Russian-Ukrainian war from the fragments of memories and their film archive. At first, the film was thought to be called “Puzzle” to convey this mosaic. Here we also see videos from phones, news stories, fragments of streams, videos from YouTube. “The film does not contain a single shot of a documentary that was specially shot, that is, it is all material from open sources, or from the phones of fellow journalists, who were on the front lines,” says Ivanyshyn. Answering the question, what was the most difficult part of the work, he says – to cope with all this material both mentally and physically: “Actually, when you rewatch 600 hours of terrible video, your brains go a little”. It was not easy. Then Pasha listened to a lot of radio intercepts , and his brain was melting too.” Premiere screening of “Life on the Edge”. Photo: Nastya Telikova In the end, after all the flashbacks and flashforwards, the story on the screen comes to the events after February 24, 2022. For this part, the authors leave only four minutes of timing. They show that the last year is only a small part of the big war that has been going on since the spring of 2014. “We found an understandable form for the world audience to explain to him that our world has long been divided into before and after. And it didn’t happen on February 24,” the director emphasizes. So let’s keep our fingers crossed that this film by Peleshko and Ivanyshyn at least repeats the Oscar-winning fate of their film “Winter on Fire” and has the opportunity to “speak” at world festivals. After watching the tape, producer Oleksiy Gladushevsky notes that such films as “Life on the Edge” are necessary. “It is important to watch so as not to forget how it all began,” he emphasizes. Viewer Iryna shares: “I often wonder why foreigners believe in the narrative “Not everything is so simple”? Because they are out of context. Because for many of them, the war began on February 24, 2022. But this is not so. And “Life on the edge “helps build cause-and-effect relationships.” And he admits: he also had a shot in his head in which a Berkut citizen during the Revolution of Dignity shouts into the camera about supporting Russia. Hopefully this piece of the puzzle could be another piece of evidence for The Hague. Read also: The cartoon that has been waiting for eight years. “Mavka. Forest Song” was released in the Ukrainian box office

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